Gentlemen Prefer Blondes: A Critical EditionMain MenuPrefaceEditor's IntroductionRead about the conceptualization of the edition and its significance for scholars, students, and casual readers.The Text and Illustrations of Gentlemen Prefer BlondesRead the novel or examine the variants in text and visual presentation between the two original published editions.Critical and Biographical ContextRead about the production and reception of Blondes, explore maps of locations in the text, read about historical references, and read biographies of writer Anita Loos and illustrator Ralph Barton.Production of the EditionInformation about technical production and about contributors to the edition.About This BookAnita Loosdf7e8181b9011d96a772f9bc7265339b41c1e804Edited by Daniel G. Tracy1084a62f79367058cb758225ddf0a8810cfba170
A Few Moments with Eddie Cantor
12021-09-24T15:08:16+00:00Daniel G. Tracye4d2055c1ec04bf92575642aae6698bc52f8f12a1222From the AFI/Maurice Zouary Collection at the Library of Congress. Copied at 24 fps from a 35mm print.plain2021-09-24T15:12:19+00:00Internet Archive https://archive.org/details/eddie_cantor_1923ca1923eddie_cantor_1923Lee de ForestPublic DomainmoviesDaniel G. Tracye4d2055c1ec04bf92575642aae6698bc52f8f12a
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12021-09-24T15:17:35+00:00Eddie Cantor3plain2021-09-24T15:20:24+00:00Eddie Cantor was a vaudeville, Broadway, and radio (later also film and television) actor who had appeared in numerous installments of the Ziegfield Follies since the mid-1910s. His specialty was comedic skits and songs. Perhaps relevant to Loos's allusion in the context of Blondes, Cantor performed a song in the early 1920s called "The Dumber They Come, The Better I Like 'Em", performed two minutes into the accompanying early sound film recording of his comedy and music routine.