The Birth of Pussy Riot: Six Early SongsMain MenuIntroductionAbout These Sources“Kill the Sexist” (2011)“Free the Cobblestones” (2011)“Kropotkin-Vodka” (2011)“Death to Prison, Freedom to Protest” (2011)“Putin’s Pissed Himself” (2012)“Virgin Mary, Mother of God, Chase Putin Away” (2012)SupplementsAbout This EditionBibliographyCredits and AcknowledgementsAbout SourceLabJamie Hendrickson58134f757f2bbc39a2ba13e95075be4a3d374f84
Blurb screenshot from Kropotkin-Vodka blog post by Pussy Riot
12022-06-01T09:09:59+00:00Blog Post for “Kropotkin-Vodka”2gallery2022-06-13T10:20:20+00:00“WHY DID YOU CHOOSE THE MOST GLAMOROUS PLACES IN THE CAPITAL FOR THE CONCERTS?
Our last tour [“Free the Cobblestones”] took place at the public transportation platforms of Moscow, where we campaigned for people to free the cobblestones. This time we decided to perform at places where there are the richest Putinists. The 2000s depoliticization and consumption of stupefying style created a phenomenon known as ‘Putin’s glamor,’ which has become an important factor in modern politics and is founded on passivity, conformism and non-interference.”1Back to top
“Nelegal’nyĭ tur protiv putinskogo glamura ‘Pizdеts Seksistam, Ebanym Putinistam.’”↵
