Gentlemen Prefer Blondes: A Critical EditionMain MenuPreface to the EditionEditor’s IntroductionRead about the conceptualization of the edition and its significance for scholars, students, and casual readers.The Text and Illustrations of Gentlemen Prefer BlondesRead the novel or examine the variants in the text and visual presentation between the two original published editions.Critical and Biographical ContextRead about the production and reception of Blondes, explore maps of locations in the text, read about historical references, and read biographies of writer Anita Loos and illustrator Ralph Barton.Production of the EditionRead information about the technical production of and contributors to the edition.About This BookAnita Loosdf7e8181b9011d96a772f9bc7265339b41c1e804Edited by Daniel G. Tracy1084a62f79367058cb758225ddf0a8810cfba170
Metropolitan Theatre Program for D.W. Griffith’s Intolerance (Front Page)
1media/Intolerance_ProgramCover_thumb.jpg2021-12-17T13:46:31+00:00Daniel G. Tracye4d2055c1ec04bf92575642aae6698bc52f8f12a1222plain2025-07-23T21:30:20+00:00University of Washington Libraries, Special Collections, PAM0775, https://cdm16786.contentdm.oclc.org/digital/iiif/ptec/7217/full/full/0/default.jpg1916-12UnknownPublic DomainElizabeth Budd1a21a785069fadf8223b68c2ab687e28c82d7c49
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12021-12-17T13:48:10+00:00Intolerance4plain2025-06-13T18:43:56+00:00Intolerance (1916) was created by director D.W. Griffith as a follow-up spectacle to his previous film, Birth of a Nation (1915). It follows four different story lines across history that demonstrate the theme of the battle between love and hate, and it was advertised for its extreme expense, lavish sets, significant length of over three hours, and epic themes. Anita Loos was invited by Griffith to produce some intertitles for the movie, but it is unclear how many of her contributions actually made the final cut.
