For this issue, guest editors Nick Bontrager and Adam Fung invited submissions about the use of “Autonomous Art Systems.” Submissions included work on tethered and untethered systems of making, autonomous vehicles, and related programming in creative fields of study. Relevant subjects included: artworks that address concepts of drones or surveillance as subject or form; the influence of emerging technologies on studio art practices; or critical/historical analysis of the entanglement of art and technology.